The monster called Itani

Had a lot of difficulty making him look the same from different angles, Indya was taking the piss of how slow I work but I think they look good

The area i had most difficulty was wirh side view. I couldnt draw it from the full side and have it look like the character still. What ended up happening was that i sraw a side/ 3/4 veiw.

Emotions were more fun, Ive always preferred drawing faces and expressions.

The challenge I had with this was face was a skull and a skull can't really emote.

I decided to add eyebrows so it was a bit of cheat. A big feature of the character is the eyes so I think emphasizing them will only add the strength of the character. The character already had a lot of personality but adding emotions and body language add so much more personality I was surprised.

I did a really simple colour way for him, i think the green suits him the most as it gives off a smelly and foul vibe, which is what i was intending. The rest didn't really stand out to me but i felt like the poses in which he was in really matched the colour i chose. ( red paint me like one of your french girls)

Building the maquette was an enjoyable process also. I came in late and had to work away from other people, and i think that helped in my production and i was just jamming out to some music.

I build the maqette from wire which wasn't as malleable as i thought, but it gave a really solid foundation for the skull. The body was fattened by scrunched up masking tape with clay over the top. It was fun to make but i wasn't really that good at it but i think if i gave it another go it would come out better. Annnabeth also suggested using real hair on top of the maqette and that kinda grossed me out a little.

Comments

Furthering into perspective

Im coming closer to realisation that storyboarding is a field that i want to keep exploring. This past semester we been tasked with a range of different mediums and techniuiqes which has been super challenging, requiring me to learn something new. The only problem I've had is that I get so tired from the research, I dont have the power to work and produce work I'm happy with. This is a minor problem as i know over time i'll become way more adpet and will have a much smoother workflow. I can say though that because of all this research time, I fallen back in love with drawing again. Maybe it has something to do with chris' life drawing classes but im actually drawing for fun again, and this is a feeling that i havent had for year. I'm trying drawing to become my new form of procrastination, because my mind just loves putting off work. This is a kind of 'procrastinion i did, when i should of been trying to do some modelling in maya i wanted to draw more s...

Animation Context

The first actual lecture of university was what i expected, a briefing of our first module. Most of the lecture consisted of Johnny beating the Gibbs' reflective cycle into our heads. I can see why the university wants us to utilize this type of reflection and I will definitely refer to it when I am first writing up my blogs, but in time i know that i will have each area of the cycle memorized, which can only help in my writing skills and well as my own self analysis. This module is on going throughout the year and we are tasked with writing a magazine article about an aspect of animation we are passionate about. Initially my intimidate thought was to look at the animation technique of One Punch Man as it i know it is a particularly difficult style of animation and i captures movement and speed so vividly. I do believe i should do some wide ranging research and look at other animation techniques that intrigue me.

Aleatoric resonance

Aleatoric/Aleatory Coined by the German professor Werner Meyer-Eppler, who was a strong promoter for electronic music in the 1950’s while looking at the statistical shaping of sounds. Definition; Something done dependent on chance and is normally associated with art or music. Origin; from Latin āleātōrius, from āleātor gambler, from ālea game of chance, dice, of uncertain origin Definition; vibrations of a high quality, that are full and reverberating. Also the sounds often trigger responses and memories. Orgin; Late Middle English: from Old French, from Latin resonantia ‘echo’, from resonare ‘resound’ References (to be cited) http://www.citethisforme.com/harvard-referencing The Oxford Handbook of Computer Music Essays on Roberto Gerhard https://www.merriam-webster.com/dictionary/aleatoric http://www.dictionary.com/browse/aleatoric?s=t https://en.oxforddictionaries.com/definition/us/aleatoric https://www.merriam-webster.com/dictionary/resonance https://en.oxforddicti...

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