Why have i done this to myself but i like it

Why have i done this to myself but i like it - aseop fables

Ive approached this storyboard almost too big as i always do. Too many scenes and too big of a picture in mind. I know i should stop and make it simpler but i dont know how.

Ive gone to colouring the scenes everyone i spoke to looked at me like i was crazy for colouring an animatic. I know what i want it to look like and im going to try to get it as close as possible.

Ive been looking at perspective and envirmental design videos, not so much tutorials but other artists workflow. Best peice of advice i got is either make your own brushes or find brushes you like. I found a great painters set which has like 50 but ive only used like 4.

Ive also drawn plenty of other animals as well an attempt to do facial expressions on the lion.
My plan is to cut and paste these drawing into the backgrounds for the scenes i had made however i feel like ive made it harder on my self by having not done these drawing digiatally

Comments

Furthering into perspective

Im coming closer to realisation that storyboarding is a field that i want to keep exploring. This past semester we been tasked with a range of different mediums and techniuiqes which has been super challenging, requiring me to learn something new. The only problem I've had is that I get so tired from the research, I dont have the power to work and produce work I'm happy with. This is a minor problem as i know over time i'll become way more adpet and will have a much smoother workflow. I can say though that because of all this research time, I fallen back in love with drawing again. Maybe it has something to do with chris' life drawing classes but im actually drawing for fun again, and this is a feeling that i havent had for year. I'm trying drawing to become my new form of procrastination, because my mind just loves putting off work. This is a kind of 'procrastinion i did, when i should of been trying to do some modelling in maya i wanted to draw more s...

Animation Context

The first actual lecture of university was what i expected, a briefing of our first module. Most of the lecture consisted of Johnny beating the Gibbs' reflective cycle into our heads. I can see why the university wants us to utilize this type of reflection and I will definitely refer to it when I am first writing up my blogs, but in time i know that i will have each area of the cycle memorized, which can only help in my writing skills and well as my own self analysis. This module is on going throughout the year and we are tasked with writing a magazine article about an aspect of animation we are passionate about. Initially my intimidate thought was to look at the animation technique of One Punch Man as it i know it is a particularly difficult style of animation and i captures movement and speed so vividly. I do believe i should do some wide ranging research and look at other animation techniques that intrigue me.

Aleatoric resonance

Aleatoric/Aleatory Coined by the German professor Werner Meyer-Eppler, who was a strong promoter for electronic music in the 1950’s while looking at the statistical shaping of sounds. Definition; Something done dependent on chance and is normally associated with art or music. Origin; from Latin āleātōrius, from āleātor gambler, from ālea game of chance, dice, of uncertain origin Definition; vibrations of a high quality, that are full and reverberating. Also the sounds often trigger responses and memories. Orgin; Late Middle English: from Old French, from Latin resonantia ‘echo’, from resonare ‘resound’ References (to be cited) http://www.citethisforme.com/harvard-referencing The Oxford Handbook of Computer Music Essays on Roberto Gerhard https://www.merriam-webster.com/dictionary/aleatoric http://www.dictionary.com/browse/aleatoric?s=t https://en.oxforddictionaries.com/definition/us/aleatoric https://www.merriam-webster.com/dictionary/resonance https://en.oxforddicti...

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